![]() TV Paint lacks any vector inking options. Harmony’s excellent vector based inking tools can greatly streamline the process and leave you with a faster cleaner result. There is a bigger difference when it comes to the clean-up stage of animation, when you’re putting down your final lines. The only real differentiator for you will probably be how much you like the drawing tools in the programs. Having this kind of flexibility in a dedicated animation software is a big part of the draw for filmmakers looking to replicate a hand-drawn or traditional media style.Īnimation Features Frame-by-Frame Animationīoth TV Paint and Harmony have excellent tools and features for doing frame-by-frame animation and replicating the workflow of a traditional 2D pipeline. It’s very well regarded for the quality of its drawing and painting engine that let you achieve basically any look you would be able to achieve in a dedicated painting program like Photoshop or Procreate. TV Paint’s most stand out feature is it’s bitmap drawing tools. Harmony has historically been more focused on it’s vector art tools and many of it’s more advanced features and core workflows are intended to be used with vector-based finished art. Vector lines can also have styles applied to them that replicate the look of more traditional looking media. ![]() The bitmap drawing tools allow for more natural sketching and painterly effects, and Harmony’s vector tools are for creating nice clean finished inked and painted artwork. Toon Boom Harmony has both bitmap and vector drawing tools. Once you get a handle on the drawing tools and brushes, there aren’t really a lot of technical features or processes to get in your way.įor the most part your success with TV Paint will come down to your animation skill, and not mastering the deeper features of the software. ![]() Many people find TV Paint unintuitive at first, and you may need some guidance to get a handle on the basic workflow, but there's actually not that much you need to learn. The main issue you will likely have with learning TV Paint is that it is very different from other software you may already have experience with like Adobe products. These are specialties that are very powerful, but you don’t necessarily have to dig into at all if you don’t want to. This is particularly true if you want to get into Harmony’s advanced character rigging features or its nodal compositing system. There is a lot to learn depending how deep you want to go. It’s easy enough to get started doing basic frame-by-frame animation, but to really take advantage of Harmony, there are specific techniques and best practices that are definitely worth it to learn. The learning curve with Toon Boom Harmony can be difficult.
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